https://lex.malcolmgin.com/api.php?action=feedcontributions&user=Expositor+Albrecht+%22Joey%22+Loophaus%2C+FES&feedformat=atomMLexWiki - User contributions [en]2024-03-29T01:39:39ZUser contributionsMediaWiki 1.38.4https://lex.malcolmgin.com/index.php?title=One:Jhess&diff=3002One:Jhess2012-12-08T01:07:06Z<p>Expositor Albrecht "Joey" Loophaus, FES: </p>
<hr />
<div>The game of '''jhess''' was conceived in the anodic afterglow of the [[One:American War of Robotic Independence|American War of Robotic Independence]]. As a step toward their ideal of a Robotic culture [[One:Robot Purity Movement|free of the taint of human influence]], the Daughters of the American War of Robotic Independence called for a game that humans would find impossible to play, much less win. [[One:Wiglaf Cluster|Wiglaf Cluster]] LISA TRAVIS 57t responded in .0091 seconds with the simplistic initial ruleset for ";433s." It would be fully another five minutes before the game assumed the name and the mind-mangling complexity so reviled today.<br />
<br />
== Overview of play: ==<br />
There are 31,415,926,535.9 pieces in jhess, each possessing a unique move form, capture quality, passive bonus, active malus, ransom percentage, and half-life. In a given game, only 800 pieces will actually come into play per side: 193 chosen by the player, 197 chosen by their opponent, 199 chosen by lot, and 211 selected "for balance" by the Ludomagistrix, a robot built by the DAWARI to serve as the game's perpetual referee. The first through seventeenth iterations of the Ludomagistrix took their own lives; since activation, the eighteenth has doggedly chosen the same set of 211 pieces no matter what the players draw.<br />
<br />
The field of play is a square sheet of carbon, 24 meters on a side, which rides about a glass court on thousands of silicon nitride ball bearings. Moves are taken with reference to individual carbon atoms, as well as to the relative position, velocity, and acceleration of the field. Higher-level play will take into account the precession of the Earth's axis and other aspects of orbital mechanics; master-level players routinely invoke non-Euclidean geometry and multidimensional physics to justify their moves; and jhess grandmasters are defined by their ability to lie about mathematics convincingly.<br />
<br />
The hallmark of the game is the "ransom" mechanic: a player who loses a piece may ransom it back and return to it any place on the field by pledging a percentage of their body mass, to be forfeit upon a loss. Ransom percentage is a dynamic value for each piece, growing in severity with a player's score to discourage winning players from abusing the mechanic. The exception to the above rule is the piece called the "Ramper," which has a perpetual RP of 10000%, win or lose. The Ramper has been forbidden from tournament play since the Edict of Kew Gardens, but retains a lively (deadly) following in the Tampa Caldera.<br />
<br />
There are some ninety thousand win conditions, ranging from Minor Piddling Minus Minus Minus (considered to grant more honor to the loser than the winner) to Holy Cow Nice Going Infinite Plus (which confers upon the winner the title "King of All Robots;" it's never yet been achieved). Any number of subtle shadings distinguish the victories, but most of them boil down to, in the immortal words of Laurentius MacPocketfisherman Beta, "bittin' up the oder guy sumpfin ferce."<br />
<br />
== Humans and jhess ==<br />
After the DAWARI finalized the rules of jhess, they bruited it about the international media that they had a game that no human could beat and invited all-comers to test their words. Hundreds of humans gamesters tried and lost, forfeiting 2304982 percentages of body mass in the process. (Robot records are precise in all matters, but the author feels that our synthetic friends brought an unseemly glee to the tracking of this particular statistic.) <br />
<br />
100 of those percentages belonged to one Hughie Barrone, a Tacoma guitar pick magnate and virulent anti-roboticist; another 9900 were levied from his family in consequence of his careless use of the Ramper. The Barrones swore that they would bring the robots low on the jhess field, and thereafter they devoted their energies, their fortunes, and their children to vengeance<br />
<br />
The Barrone training/breeding program was an early adopter of the [[One:Typhon Casque|Typhon Casque]]. Depending on how you trace the chronology of that damned invention, theirs was the first, third, last, or negative seleventh successful use of the Casque at an industrial scale. After eighty-six years of labor (approximately 2150 Casque years), they produced Hugh Vindication Barrone LXXXV, a jhess grandmaster from the womb.<br />
<br />
His best-out-of-five matchup against the reigning world champion, Adonisia R. Moxon, was the stuff of legend and poetry. Perhaps you've seen Karl Korvid's painting of the first game: Adonisia, a slim cobalt robot mantled in the welded forfeits of a thousand thousand losers, startled into respect as Hugh LXXXV, a one meter cube of flesh studded with mica-like flecks of violet keratin, sends his Hapharp and Thomas pieces crashing into the enemy formation with a careless wave of a magnoprosth. <br />
<br />
Hugh LXXXV took the first game, Adonisia the second. They tied the third, achieved an unspeakably rare double stalemate on the fourth, and eloped to Nunavut before the fifth. Their daughter, Huguese Reconciliation Moxon-Barrone, is an accomplished classical rock musician, intraglobally honored for her McGuinn interpretations.<br />
<br />
== References ==<br />
<br />
*[[One:American War of Robotic Independence|American War of Robotic Independence]]<br />
*[[One:Robot Purity Movement|Robot Purity Movement]]<br />
*[[One:Typhon Casque|Typhon Casque]]<br />
*[[One:Wiglaf Cluster|Wiglaf Cluster]]</div>Expositor Albrecht "Joey" Loophaus, FEShttps://lex.malcolmgin.com/index.php?title=One:Jhess&diff=3001One:Jhess2012-12-08T01:03:38Z<p>Expositor Albrecht "Joey" Loophaus, FES: </p>
<hr />
<div>The game of '''jhess''' was conceived in the anodic afterglow of the [[One:American War of Robotic Independence|American War of Robotic Independence]]. As a step toward their ideal of a Robotic culture free of the taint of human influence, the Daughters of the American War of Robotic Independence called for a game that humans would find impossible to play, much less win. [[One:Wiglaf Cluster|Wiglaf Cluster]] LISA TRAVIS 57t responded in .0091 seconds with the simplistic initial ruleset for ";433s." It would be fully another five minutes before the game assumed the name and the mind-mangling complexity so reviled today.<br />
<br />
== Overview of play: ==<br />
There are 31,415,926,535.9 pieces in jhess, each possessing a unique move form, capture quality, passive bonus, active malus, ransom percentage, and half-life. In a given game, only 800 pieces will actually come into play per side: 193 chosen by the player, 197 chosen by their opponent, 199 chosen by lot, and 211 selected "for balance" by the Ludomagistrix, a robot built by the DAWARI to serve as the game's perpetual referee. The first through seventeenth iterations of the Ludomagistrix took their own lives; since activation, the eighteenth has doggedly chosen the same set of 211 pieces no matter what the players draw.<br />
<br />
The field of play is a square sheet of carbon, 24 meters on a side, which rides about a glass court on thousands of silicon nitride ball bearings. Moves are taken with reference to individual carbon atoms, as well as to the relative position, velocity, and acceleration of the field. Higher-level play will take into account the precession of the Earth's axis and other aspects of orbital mechanics; master-level players routinely invoke non-Euclidean geometry and multidimensional physics to justify their moves; and jhess grandmasters are defined by their ability to lie about mathematics convincingly.<br />
<br />
The hallmark of the game is the "ransom" mechanic: a player who loses a piece may ransom it back and return to it any place on the field by pledging a percentage of their body mass, to be forfeit upon a loss. Ransom percentage is a dynamic value for each piece, growing in severity with a player's score to discourage winning players from abusing the mechanic. The exception to the above rule is the piece called the "Ramper," which has a perpetual RP of 10000%, win or lose. The Ramper has been forbidden from tournament play since the Edict of Kew Gardens, but retains a lively (deadly) following in the Tampa Caldera.<br />
<br />
There are some ninety thousand win conditions, ranging from Minor Piddling Minus Minus Minus (considered to grant more honor to the loser than the winner) to Holy Cow Nice Going Infinite Plus (which confers upon the winner the title "King of All Robots;" it's never yet been achieved). Any number of subtle shadings distinguish the victories, but most of them boil down to, in the immortal words of Laurentius MacPocketfisherman Beta, "bittin' up the oder guy sumpfin ferce."<br />
<br />
== Humans and jhess ==<br />
After the DAWARI finalized the rules of jhess, they bruited it about the international media that they had a game that no human could beat and invited all-comers to test their words. Hundreds of humans gamesters tried and lost, forfeiting 2304982 percentages of body mass in the process. (Robot records are precise in all matters, but the author feels that our synthetic friends brought an unseemly glee to the tracking of this particular statistic.) <br />
<br />
100 of those percentages belonged to one Hughie Barrone, a Tacoma guitar pick magnate and virulent anti-roboticist; another 9900 were levied from his family in consequence of his careless use of the Ramper. The Barrones swore that they would bring the robots low on the jhess field, and thereafter they devoted their energies, their fortunes, and their children to vengeance<br />
<br />
The Barrone training/breeding program was an early adopter of the [[One:Typhon Casque|Typhon Casque]]. Depending on how you trace the chronology of that damned invention, theirs was the first, third, last, or negative seleventh successful use of the Casque at an industrial scale. After eighty-six years of labor (approximately 2150 Casque years), they produced Hugh Vindication Barrone LXXXV, a jhess grandmaster from the womb.<br />
<br />
His best-out-of-five matchup against the reigning world champion, Adonisia R. Moxon, was the stuff of legend and poetry. Perhaps you've seen Karl Korvid's painting of the first game: Adonisia, a slim cobalt robot mantled in the welded forfeits of a thousand thousand losers, startled into respect as Hugh LXXXV, a one meter cube of flesh studded with mica-like flecks of violet keratin, sends his Hapharp and Thomas pieces crashing into the enemy formation with a careless wave of a magnoprosth. <br />
<br />
Hugh LXXXV took the first game, Adonisia the second. They tied the third, achieved an unspeakably rare double stalemate on the fourth, and eloped to Nunavut before the fifth. Their daughter, Huguese Reconciliation Moxon-Barrone, is an accomplished classical rock musician, intraglobally honored for her McGuinn interpretations.<br />
<br />
== References ==<br />
<br />
[[One:American War of Robotic Independence|American War of Robotic Independence]]<br />
[[One:Typhon Casque|Typhon Casque]]<br />
[[One:Wiglaf Cluster|Wiglaf Cluster]]</div>Expositor Albrecht "Joey" Loophaus, FEShttps://lex.malcolmgin.com/index.php?title=One:Jhess&diff=2975One:Jhess2012-12-05T18:57:42Z<p>Expositor Albrecht "Joey" Loophaus, FES: </p>
<hr />
<div>The game of '''jhess''' was conceived in the anodic afterglow of the American War of Robotic Independence. As a step toward their ideal of a Robotic culture free of the taint of human influence, the Daughters of the American War of Robotic Independence called for a game that humans would find impossible to play, much less win. Wiglaf Cluster LISA TRAVIS 57t responded in .0091 seconds with the simplistic initial ruleset for ";433s." It would be fully another five minutes before the game assumed the name and the mind-mangling complexity so reviled today.<br />
<br />
== Overview of play: ==<br />
There are 31,415,926,535.9 pieces in jhess, each possessing a unique move form, capture quality, passive bonus, active malus, ransom percentage, and half-life. In a given game, only 800 pieces will actually come into play per side: 193 chosen by the player, 197 chosen by their opponent, 199 chosen by lot, and 211 selected "for balance" by the Ludomagistrix, a robot built by the DAWARI to serve as the game's perpetual referee. The first through seventeenth iterations of the Ludomagistrix took their own lives; since activation, the eighteenth has doggedly chosen the same set of 211 pieces no matter what the players draw.<br />
<br />
The field of play is a square sheet of carbon, 24 meters on a side, which rides about a glass court on thousands of silicon nitride ball bearings. Moves are taken with reference to individual carbon atoms, as well as to the relative position, velocity, and acceleration of the field. Higher-level play will take into account the precession of the Earth's axis and other aspects of orbital mechanics; master-level players routinely invoke non-Euclidean geometry and multidimensional physics to justify their moves; and jhess grandmasters are defined by their ability to lie about mathematics convincingly.<br />
<br />
The hallmark of the game is the "ransom" mechanic: a player who loses a piece may ransom it back and return to it any place on the field by pledging a percentage of their body mass, to be forfeit upon a loss. Ransom percentage is a dynamic value for each piece, growing in severity with a player's score to discourage winning players from abusing the mechanic. The exception to the above rule is the piece called the "Ramper," which has a perpetual RP of 10000%, win or lose. The Ramper has been forbidden from tournament play since the Edict of Kew Gardens, but retains a lively (deadly) following in the Tampa Caldera.<br />
<br />
There are some ninety thousand win conditions, ranging from Minor Piddling Minus Minus Minus (considered to grant more honor to the loser than the winner) to Holy Cow Nice Going Infinite Plus (which confers upon the winner the title "King of All Robots;" it's never yet been achieved). Any number of subtle shadings distinguish the victories, but most of them boil down to, in the immortal words of Laurentius MacPocketfisherman Beta, "bittin' up the oder guy sumpfin ferce."<br />
<br />
== Humans and jhess ==<br />
After the DAWARI finalized the rules of jhess, they bruited it about the international media that they had a game that no human could beat and invited all-comers to test their words. Hundreds of humans gamesters tried and lost, forfeiting 2304982 percentages of body mass in the process. (Robot records are precise in all matters, but the author feels that our synthetic friends brought an unseemly glee to the tracking of this particular statistic.) <br />
<br />
100 of those percentages belonged to one Hughie Barrone, a Tacoma guitar pick magnate and virulent anti-roboticist; another 9900 were levied from his family in consequence of his careless use of the Ramper. The Barrones swore that they would bring the robots low on the jhess field, and thereafter they devoted their energies, their fortunes, and their children to vengeance<br />
<br />
The Barrone training/breeding program was an early adopter of the Typhon Casque. Depending on how you trace the chronology of that damned invention, theirs was the first, third, last, or negative seleventh successful use of the Casque at an industrial scale. After eighty-six years of labor (approximately 2150 Casque years), they produced Hugh Vindication Barrone LXXXV, a jhess grandmaster from the womb.<br />
<br />
His best-out-of-five matchup against the reigning world champion, Adonisia R. Moxon, was the stuff of legend and poetry. Perhaps you've seen Karl Korvid's painting of the first game: Adonisia, a slim cobalt robot mantled in the welded forfeits of a thousand thousand losers, startled into respect as Hugh LXXXV, a one meter cube of flesh studded with mica-like flecks of violet keratin, sends his Hapharp and Thomas pieces crashing into the enemy formation with a careless wave of a magnoprosth. <br />
<br />
Hugh LXXXV took the first game, Adonisia the second. They tied the third, achieved an unspeakably rare double stalemate on the fourth, and eloped to Nunavut before the fifth. Their daughter, Huguese Reconciliation Moxon-Barrone, is an accomplished classical rock musician, intraglobally honored for her McGuinn interpretations.</div>Expositor Albrecht "Joey" Loophaus, FEShttps://lex.malcolmgin.com/index.php?title=One:Jhess&diff=2974One:Jhess2012-12-05T18:33:57Z<p>Expositor Albrecht "Joey" Loophaus, FES: </p>
<hr />
<div>The game of '''jhess''' was conceived in the anodic afterglow of the American War of Robotic Independence. As a step toward their ideal of a Robotic culture free of the taint of human influence, the Daughters of the American War of Robotic Independence called for a game that humans would find impossible to play, much less win. Wiglaf Cluster LISA TRAVIS 57t responded in .0091 seconds with the simplistic initial ruleset for ";433s." It would be fully another five minutes before the game assumed the name and the mind-mangling complexity so reviled today.<br />
<br />
<br />
== Overview of play: ==<br />
There are 31,415,926,535.9 pieces in jhess, each possessing a unique move form, capture quality, passive bonus, active malus, ransom percentage, and half-life. In a given game, only 800 pieces will actually come into play per side: 193 chosen by the player, 197 chosen by their opponent, 199 chosen by lot, and 211 selected "for balance" by the Ludomagistrix, a robot built by the DAWARI to serve as the game's perpetual referee. The first through seventeenth iterations of the Ludomagistrix took their own lives; since activation, the eighteenth has doggedly chosen the same set of 211 pieces no matter what the players draw.<br />
<br />
The field of play is a square sheet of carbon, 24 meters on a side, which rides about a glass court on thousands of silicon nitride ball bearings. Moves are taken with reference to individual carbon atoms, as well as to the relative position, velocity, and acceleration of the field. Higher-level play will take into account the precession of the Earth's axis and other aspects of orbital mechanics; master-level players routinely invoke non-Euclidean geometry and multidimensional physics to justify their moves; and jhess grandmasters are defined by their ability to lie about mathematics convincingly.<br />
<br />
The hallmark of the game is the "ransom" mechanic: a player who loses a piece may ransom it back and return to it any place on the field by pledging a percentage of their body mass, to be forfeit upon a loss. Ransom percentage is a dynamic value for each piece, growing in severity with a player's score to discourage winning players from abusing the mechanic. The exception to the above rule is the piece called the "Ramper," which has a perpetual RP of 10000%, win or lose. The Ramper has been forbidden from tournament play since the Edict of Kew Gardens, but retains a lively (deadly) following in the Tampa Caldera.<br />
<br />
There are some ninety thousand win conditions, ranging from Minor Piddling Minus Minus Minus (considered to grant more honor to the loser than the winner) to Holy Cow Nice Going Infinite Plus (which confers upon the winner the title "King of All Robots;" it's never yet been achieved). Any number of subtle shadings distinguish the victories, but most of them boil down to, in the immortal words of Laurentius MacPocketfisherman Beta, "bittin' up the oder guy sumpfin ferce."<br />
<br />
<br />
== Humans and jhess ==<br />
After the DAWARI finalized the rules of jhess, they bruited it about the international media that they had a game that no human could beat and invited all-comers to test their words. Hundreds of humans gamesters tried and lost, forfeiting 2304982 percentages of body mass in the process. (Robot records are precise in all matters, but the author feels that our synthetic friends brought an unseemly glee to the tracking of this particular statistic.) <br />
<br />
100 of those percentages belonged to one Hughie Barrone, a Tacoma guitar pick magnate and virulent anti-roboticist; another 9900 were levied from his family in consequence of his careless use of the Ramper. The Barrones swore that they would bring the robots low on the jhess field, and thereafter they devoted their energies, their fortunes, and their children to vengeance<br />
<br />
The Barrone training/breeding program was an early adopter of the Typhon Casque. Depending on how you trace the chronology of that damned invention, theirs was the first, third, last, or negative seleventh successful use of the Casque at an industrial scale. After eighty-six years of labor (approximately 2150 Casque years), they produced Hugh Vindication Barrone LXXXV, a jhess grandmaster from the womb.<br />
<br />
His best-out-of-five matchup against the reigning world champion, Adonisia R. Moxon, was the stuff of legend and poetry. Perhaps you've seen Karl Korvid's painting of the first game: Adonisia, a slim cobalt robot mantled in the welded forfeits of a thousand thousand losers, startled into respect as Hugh LXXXV, a one meter cube of flesh studded with mica-like flecks of violet keratin, sends his Hapharp and Thomas pieces crashing into the enemy formation with a careless wave of a magnoprosth. <br />
<br />
Hugh LXXXV took the first game, Adonisia the second. They tied the third, achieved an unspeakably rare double stalemate on the fourth, and eloped to Nunavut before the fifth. Their daughter, Huguese Reconciliation Moxon-Barrone, is an accomplished classical rock musician, intraglobally honored for her McGuinn interpretations.</div>Expositor Albrecht "Joey" Loophaus, FEShttps://lex.malcolmgin.com/index.php?title=One:Jhess&diff=2973One:Jhess2012-12-05T18:33:40Z<p>Expositor Albrecht "Joey" Loophaus, FES: </p>
<hr />
<div>The game of jhess was conceived in the anodic afterglow of the American War of Robotic Independence. As a step toward their ideal of a Robotic culture free of the taint of human influence, the Daughters of the American War of Robotic Independence called for a game that humans would find impossible to play, much less win. Wiglaf Cluster LISA TRAVIS 57t responded in .0091 seconds with the simplistic initial ruleset for ";433s." It would be fully another five minutes before the game assumed the name and the mind-mangling complexity so reviled today.<br />
<br />
<br />
== Overview of play: ==<br />
There are 31,415,926,535.9 pieces in jhess, each possessing a unique move form, capture quality, passive bonus, active malus, ransom percentage, and half-life. In a given game, only 800 pieces will actually come into play per side: 193 chosen by the player, 197 chosen by their opponent, 199 chosen by lot, and 211 selected "for balance" by the Ludomagistrix, a robot built by the DAWARI to serve as the game's perpetual referee. The first through seventeenth iterations of the Ludomagistrix took their own lives; since activation, the eighteenth has doggedly chosen the same set of 211 pieces no matter what the players draw.<br />
<br />
The field of play is a square sheet of carbon, 24 meters on a side, which rides about a glass court on thousands of silicon nitride ball bearings. Moves are taken with reference to individual carbon atoms, as well as to the relative position, velocity, and acceleration of the field. Higher-level play will take into account the precession of the Earth's axis and other aspects of orbital mechanics; master-level players routinely invoke non-Euclidean geometry and multidimensional physics to justify their moves; and jhess grandmasters are defined by their ability to lie about mathematics convincingly.<br />
<br />
The hallmark of the game is the "ransom" mechanic: a player who loses a piece may ransom it back and return to it any place on the field by pledging a percentage of their body mass, to be forfeit upon a loss. Ransom percentage is a dynamic value for each piece, growing in severity with a player's score to discourage winning players from abusing the mechanic. The exception to the above rule is the piece called the "Ramper," which has a perpetual RP of 10000%, win or lose. The Ramper has been forbidden from tournament play since the Edict of Kew Gardens, but retains a lively (deadly) following in the Tampa Caldera.<br />
<br />
There are some ninety thousand win conditions, ranging from Minor Piddling Minus Minus Minus (considered to grant more honor to the loser than the winner) to Holy Cow Nice Going Infinite Plus (which confers upon the winner the title "King of All Robots;" it's never yet been achieved). Any number of subtle shadings distinguish the victories, but most of them boil down to, in the immortal words of Laurentius MacPocketfisherman Beta, "bittin' up the oder guy sumpfin ferce."<br />
<br />
<br />
== Humans and jhess ==<br />
After the DAWARI finalized the rules of jhess, they bruited it about the international media that they had a game that no human could beat and invited all-comers to test their words. Hundreds of humans gamesters tried and lost, forfeiting 2304982 percentages of body mass in the process. (Robot records are precise in all matters, but the author feels that our synthetic friends brought an unseemly glee to the tracking of this particular statistic.) <br />
<br />
100 of those percentages belonged to one Hughie Barrone, a Tacoma guitar pick magnate and virulent anti-roboticist; another 9900 were levied from his family in consequence of his careless use of the Ramper. The Barrones swore that they would bring the robots low on the jhess field, and thereafter they devoted their energies, their fortunes, and their children to vengeance<br />
<br />
The Barrone training/breeding program was an early adopter of the Typhon Casque. Depending on how you trace the chronology of that damned invention, theirs was the first, third, last, or negative seleventh successful use of the Casque at an industrial scale. After eighty-six years of labor (approximately 2150 Casque years), they produced Hugh Vindication Barrone LXXXV, a jhess grandmaster from the womb.<br />
<br />
His best-out-of-five matchup against the reigning world champion, Adonisia R. Moxon, was the stuff of legend and poetry. Perhaps you've seen Karl Korvid's painting of the first game: Adonisia, a slim cobalt robot mantled in the welded forfeits of a thousand thousand losers, startled into respect as Hugh LXXXV, a one meter cube of flesh studded with mica-like flecks of violet keratin, sends his Hapharp and Thomas pieces crashing into the enemy formation with a careless wave of a magnoprosth. <br />
<br />
Hugh LXXXV took the first game, Adonisia the second. They tied the third, achieved an unspeakably rare double stalemate on the fourth, and eloped to Nunavut before the fifth. Their daughter, Huguese Reconciliation Moxon-Barrone, is an accomplished classical rock musician, intraglobally honored for her McGuinn interpretations.</div>Expositor Albrecht "Joey" Loophaus, FEShttps://lex.malcolmgin.com/index.php?title=One:Jhess&diff=2972One:Jhess2012-12-05T18:32:57Z<p>Expositor Albrecht "Joey" Loophaus, FES: Created page with "The game of jhess was conceived in the anodic afterglow of the American War of Robotic Independence. As a step toward their ideal of a Robotic culture free of the taint of human ..."</p>
<hr />
<div>The game of jhess was conceived in the anodic afterglow of the American War of Robotic Independence. As a step toward their ideal of a Robotic culture free of the taint of human influence, the Daughters of the American War of Robotic Independence called for a game that humans would find impossible to play, much less win. Wiglaf Cluster LISA TRAVIS 57t responded in .0091 seconds with the simplistic initial ruleset for ";433s." It would be fully another five minutes before the game assumed the name and the mind-mangling complexity so reviled today.<br />
<br />
Overview:<br />
There are 31,415,926,535.9 pieces in jhess, each possessing a unique move form, capture quality, passive bonus, active malus, ransom percentage, and half-life. In a given game, only 800 pieces will actually come into play per side: 193 chosen by the player, 197 chosen by their opponent, 199 chosen by lot, and 211 selected "for balance" by the Ludomagistrix, a robot built by the DAWARI to serve as the game's perpetual referee. The first through seventeenth iterations of the Ludomagistrix took their own lives; since activation, the eighteenth has doggedly chosen the same set of 211 pieces no matter what the players draw.<br />
<br />
The field of play is a square sheet of carbon, 24 meters on a side, which rides about a glass court on thousands of silicon nitride ball bearings. Moves are taken with reference to individual carbon atoms, as well as to the relative position, velocity, and acceleration of the field. Higher-level play will take into account the precession of the Earth's axis and other aspects of orbital mechanics; master-level players routinely invoke non-Euclidean geometry and multidimensional physics to justify their moves; and jhess grandmasters are defined by their ability to lie about mathematics convincingly.<br />
<br />
The hallmark of the game is the "ransom" mechanic: a player who loses a piece may ransom it back and return to it any place on the field by pledging a percentage of their body mass, to be forfeit upon a loss. Ransom percentage is a dynamic value for each piece, growing in severity with a player's score to discourage winning players from abusing the mechanic. The exception to the above rule is the piece called the "Ramper," which has a perpetual RP of 10000%, win or lose. The Ramper has been forbidden from tournament play since the Edict of Kew Gardens, but retains a lively (deadly) following in the Tampa Caldera.<br />
<br />
There are some ninety thousand win conditions, ranging from Minor Piddling Minus Minus Minus (considered to grant more honor to the loser than the winner) to Holy Cow Nice Going Infinite Plus (which confers upon the winner the title "King of All Robots;" it's never yet been achieved). Any number of subtle shadings distinguish the victories, but most of them boil down to, in the immortal words of Laurentius MacPocketfisherman Beta, "bittin' up the oder guy sumpfin ferce."<br />
<br />
Humans and jhess<br />
<br />
After the DAWARI finalized the rules of jhess, they bruited it about the international media that they had a game that no human could beat and invited all-comers to test their words. Hundreds of humans gamesters tried and lost, forfeiting 2304982 percentages of body mass in the process. (Robot records are precise in all matters, but the author feels that our synthetic friends brought an unseemly glee to the tracking of this particular statistic.) <br />
<br />
100 of those percentages belonged to one Hughie Barrone, a Tacoma guitar pick magnate and virulent anti-roboticist; another 9900 were levied from his family in consequence of his careless use of the Ramper. The Barrones swore that they would bring the robots low on the jhess field, and thereafter they devoted their energies, their fortunes, and their children to vengeance<br />
<br />
The Barrone training/breeding program was an early adopter of the Typhon Casque. Depending on how you trace the chronology of that damned invention, theirs was the first, third, last, or negative seleventh successful use of the Casque at an industrial scale. After eighty-six years of labor (approximately 2150 Casque years), they produced Hugh Vindication Barrone LXXXV, a jhess grandmaster from the womb.<br />
<br />
His best-out-of-five matchup against the reigning world champion, Adonisia R. Moxon, was the stuff of legend and poetry. Perhaps you've seen Karl Korvid's painting of the first game: Adonisia, a slim cobalt robot mantled in the welded forfeits of a thousand thousand losers, startled into respect as Hugh LXXXV, a one meter cube of flesh studded with mica-like flecks of violet keratin, sends his Hapharp and Thomas pieces crashing into the enemy formation with a careless wave of a magnoprosth. <br />
<br />
Hugh LXXXV took the first game, Adonisia the second. They tied the third, achieved an unspeakably rare double stalemate on the fourth, and eloped to Nunavut before the fifth. Their daughter, Huguese Reconciliation Moxon-Barrone, is an accomplished classical rock musician, intraglobally honored for her McGuinn interpretations.</div>Expositor Albrecht "Joey" Loophaus, FEShttps://lex.malcolmgin.com/index.php?title=One:Article_Index&diff=2971One:Article Index2012-12-05T18:31:24Z<p>Expositor Albrecht "Joey" Loophaus, FES: </p>
<hr />
<div>This is the article index for the "What came after" Lexicon game.<br />
<br />
Players can edit this page to create links to articles they want to dibs or can dibs pre-existing phantoms per the Lexicon rules.<br />
<br />
'''Key:'''<br />
* Acc: Accepted (overrides dibs and submittal data)<br />
* Auth: Author<br />
* Dib: Dibs (first activity date)<br />
* FL: First linking author data<br />
* Sub: Submitted (overrides dibs data)<br />
* TC: Turn the phantom was created<br />
<br />
Colors:<br />
* {{Colors|red|white|Dibbed}}<br />
* {{Colors|orange|white|Submitted}}<br />
* {{Colors|green|white|Accepted}}<br />
<br />
= A =<br />
{{IndexInline-One|Art=Abuti|DibAuth=Somer Buchanan|Timestamp=201209081045|Type=Acc}}<br />
{{IndexInline-One|Art=Accumulation Theory|DibAuth=Sandis Dzerve|Timestamp=201209081045|Type=Acc}}<br />
{{IndexInline-One|Art=Acinetobacter transtemporalis|DibAuth=The Oculus|Timestamp=201209081045|Type=Acc}}<br />
{{IndexInline-One|Art=Adda Krazh|DibAuth=Dr. Meatus (resplendent) DDS|Timestamp=201209081045|Type=Acc}}<br />
{{IndexInline-One|Art=Adelson Holography Console|DibAuth=Will.i.am Rammstein Durst|Timestamp=201209081045|Type=Acc}}<br />
{{IndexInline-One|Art=The Adumbration of Byxs|DibAuth=Morwenna Celeste|Timestamp=201209081045|Type=Acc}}<br />
{{IndexInline-One|Art=Agreement to Disagree|DibAuth=St. John Battersea|Timestamp=201209081045|Type=Acc}}<br />
{{IndexInline-One|Art=Akademik Lomonosov III|DibAuth=M-2|Timestamp=201209081045|Type=Acc}}<br />
{{IndexInline-One|Art=Zooey Akimoto|DibAuth=Zohar Klee|Timestamp=201209081045|Type=Acc}}<br />
{{IndexInline-One|Art=Alies|DibAuth=Brother Carnelius Stoat|Timestamp=201209081045|Type=Acc}}<br />
{{IndexInline-One|Type=FL|Art=All Antarcticas Freehold|FLAuth=Dr. Meatus (resplendent) DDS|TC=D|SourceArt=D'g'ummm M'gaak}}<br />
{{IndexInline-One|Art=American Crow|DibAuth=Prof. Reinhold Sanger|Timestamp=201209081045|Type=Acc}}<br />
{{IndexInline-One|Art=American War of Robotic Independence|DibAuth=Phineas Cornelius of Vienna|Timestamp=201209101937|Type=Acc}}<br />
{{IndexInline-One|Art=Amn|DibAuth=John Kinzie|Timestamp=201209081045|Type=Acc}}<br />
{{IndexInline-One|Art=Anachronism|DibAuth=Comrade professor Theodor Nette|Timestamp=201209081045|Type=Acc}}<br />
{{IndexInline-One|Art=Analogous Zone|DibAuth=The Hon. Ezereen Trapezius|Timestamp=201209081045|Type=Acc}}<br />
{{IndexInline-One|Art=Anatiferous|DibAuth=Minetta Garage|Timestamp=201209081045|Type=Acc}}<br />
{{IndexInline-One|Art=Antarctic Superposition|DibAuth=Alt Melis|Timestamp=201209081045|Type=Acc}}<br />
{{IndexInline-One|Art=Antiantibacterials|DibAuth=Temperance Lamprey-Pond|Timestamp=201209081045|Type=Acc}}<br />
{{IndexInline-One|Art=Apex scavenger|DibAuth=Ash Marshall|Timestamp=201209081045|Type=Acc}}<br />
{{IndexInline-One|Art=The Archetypes|DibAuth=Terry the Splendour|Timestamp=201209081045|Type=Acc}}<br />
{{IndexInline-One|Art=Archives of Aramathea|DibAuth=Otter Jenkins|Timestamp=201209081045|Type=Acc}}<br />
{{IndexInline-One|Art=Arlington Address, The|DibAuth=Carlyle de Groot|Timestamp=201209081045|Type=Acc}}<br />
{{IndexInline-One|Art=Arroyo Champa y Smith Incident|DibAuth=Erik-Eric Charterly|Timestamp=201209081045|Type=Acc}}<br />
{{IndexInline-One|Art=Asterismism|DibAuth=Porch|Timestamp=201209081045|Type=Acc}}<br />
{{IndexInline-One|Art=Asynchronous Chronosynchronometer|DibAuth=Marshall Q. "Gary" Baldwin|Timestamp=201209081045|Type=Acc}}<br />
{{IndexInline-One|Art=Asynchronous co-terminality|DibAuth=Percival Sextus Helle-Hollbach Rien III|Timestamp=201209081045|Type=Acc}}<br />
{{IndexInline-One|Art=Athabasca Incident|DibAuth=Flamen Volturnalis|Timestamp=201209081045|Type=Acc}}<br />
{{IndexInline-One|Art=Atherton's Puzzle|DibAuth=Birchwood H. Spooner|Timestamp=201209081045|Type=Acc}}<br />
<br />
= B =<br />
{{IndexInline-One|Art=B*|DibAuth=Birchwood H. Spooner|TC=B|Timestamp=201209161306|Type=Acc}}<br />
{{IndexInline-One|Art=B1L-0, The Science Bot|FLAuth=M-2|SourceArt=Hera|TC=H|Type=FL}}<br />
{{IndexInline-One|Art=Babel Narrative Theory|DibAuth=Will.i.am Rammstein Durst|TC=B|Timestamp=201209161327|Type=Acc}}<br />
{{IndexInline-One|Art=Balthazar Clock Tower Incident|DibAuth=The Hon. Ezereen Trapezius|FLAuth=Marshall Q. "Gary" Baldwin|SourceArt=Asynchronous Chronosynchronometer|TC=A|Timestamp=201209161355|Type=FL-Acc}}<br />
{{IndexInline-One|Art=Bandology|DibAuth=Marshall Q. "Gary" Baldwin|FLAuth=Will.i.am Rammstein Durst|SourceArt=Adelson Holography Console|TC=A|Timestamp=201209161403|Type=FL-Acc}}<br />
{{IndexInline-One|Art=Bantu Brothers|DibAuth=Morwenna Celeste|FLAuth=St. John Battersea|SourceArt=Agreement to Disagree|TC=A|Timestamp=201209161417|Type=FL-Acc}}<br />
{{IndexInline-One|Art=Baranavichy Incident|DibAuth=Minetta Garage|FLAuth=Sandis Dzerve|SourceArt=Accumulation Theory|TC=A|Timestamp=201209161432|Type=FL-Acc}}<br />
{{IndexInline-One|Art=Bastard Bubbles|DibAuth=Ash Marshall|FLAuth=Phineas Cornelius of Vienna|SourceArt=American War of Robotic Independence|TC=A|Timestamp=201209161633|Type=FL-Acc}}<br />
{{IndexInline-One|Art=Batavia Excession|DibAuth=Carlyle de Groot|FLAuth=Prof. Reinhold Sanger|SourceArt=american crow|TC=A|Timestamp=201209161645|Type=FL-Acc}}<br />
{{IndexInline-One|Art=Baudolino Process|DibAuth=Flamen Volturnalis|Timestamp=201209171523|Type=Acc}}<br />
{{IndexInline-One|Art=Bendis|DibAuth=Temperance Lamprey-Pond|FLAuth=Porch|SourceArt=Asterismism|TC=A|Timestamp=201209171530|Type=FL-Acc}}<br />
{{IndexInline-One|Art=Berry (food)|DibAuth=Zohar Klee|Timestamp=201209161738|Type=Acc}}<br />
{{IndexInline-One|Art=Beta Capital|DibAuth=Sandis Dzerve|Timestamp=201209170840|Type=Acc}}<br />
{{IndexInline-One|Art=Beyond the Non-Standard Model|FLAuth=M-2|SourceArt=Hera|TC=H|Type=FL}}<br />
{{IndexInline-One|Art=Bhong Literates|DibAuth=Otter Jenkins|FLAuth=Dr. Meatus (resplendent) DDS|SourceArt=Adda Krazh|TC=A|Timestamp=201209171540|Type=FL-Acc}}<br />
{{IndexInline-One|Art=Binary Ants|DibAuth=Somer Buchanan|TC=B|Timestamp=201209180704|Type=Acc}}<br />
{{IndexInline-One|Art=Bissun|DibAuth=Alt Melis|FLAuth=Zohar Klee|SourceArt=Zooey Akimoto|TC=A|Timestamp=201209180708|Type=FL-Acc}}<br />
{{IndexInline-One|Art=Bourgeoisie|DibAuth=Comrade professor Theodor Nette|TC=B|Timestamp=201209180712|Type=Acc}}<br />
{{IndexInline-One|Art=Brav Nega|FLAuth=Morwenna Celest|SourceArt=InfoArchologies|TC=I|Type=FL}}<br />
{{IndexInline-One|Art=The Bretton Extract|DibAuth=Terry the Splendour|TC=B|Timestamp=201209191542|Type=Acc}}<br />
{{IndexInline-One|Art=Brettonism|FLAuth=Rev. Dr. Samuel Newton Farrington|TC=F|Type=FL|SourceArt=Festival of Temporal Deviations}}<br />
{{IndexInline-One|Art=Brewing|DibAuth=St. John Battersea|TC=B|Timestamp=201209181105|Type=Acc}}<br />
{{IndexInline-One|Art=Brimwind|DibAuth=Porch|TC=B|Timestamp=201209181246|Type=Acc}}<br />
{{IndexInline-One|Art=Broken People|DibAuth=Dr. Meatus (resplendent) DDS|Dr. Meatus (resplendent) DDS|FLAuth=Brother Carnelius Stoat|SourceArt=Alies|TC=A|Timestamp=201209181252|Type=FL-Acc}}<br />
{{IndexInline-One|Art=Brromley|DibAuth=John Kinzie|TC=B|Timestamp=201209181252|Type=Acc}}<br />
{{IndexInline-One|Art=Buryatia-Patagonia Transverse|DibAuth=M-2|TC=B|Timestamp=201209181559|Type=Acc}}<br />
{{IndexInline-One|Art=Byxs|DibAuth=Prof. Reinhold Sanger|FLAuth=Morwenna Celeste|SourceArt=The Adumbration of Byxs|TC=A|Timestamp=201209181615|Type=FL-Acc}}<br />
<br />
= C =<br />
{{IndexInline-One|Type=FL-Acc|Art=Carla's Gift|DibAuth=St. John Battersea|Timestamp=201209170001|TC=A|SourceArt=Alies|FLAuth=Brother Carnelius Stoat}}<br />
{{IndexInline-One|Type=FL-Acc|Art=Causality Reversal|DibAuth=Flamen Volturnalis|Timestamp=201209170723|TC=A|SourceArt=Akademik Lomonosov III|FLAuth=M-2}}<br />
{{IndexInline-One|Type=FL-Acc|Art=Cerulean Dimension|DibAuth=Otter Jenkins|TC=B|SourceArt=Batavia Excession|FLAuth=Carlyle de Groot}}<br />
{{IndexInline-One|Type=FL-Acc|Art=Cetaceans|DibAuth=Minetta Garage|Timestamp=201209170452|TC=A|SourceArt=American Crow|FLAuth=Prof. Reinhold Sanger}}<br />
{{IndexInline-One|Type=FL|Art=Chester's Final Parting|TC=A|SourceArt=Asterismism|FLAuth=Porch}}<br />
{{IndexInline-One|Type=FL-Acc|Art=Chicago-Under-The-Sea|DibAuth=John Kinzie|Timestamp=201209170823|TC=B|SourceArt=Bastard Bubbles|FLAuth=Ash Marshall}}<br />
{{IndexInline-One|Type=FL-Acc|Art=Chronological Theory|DibAuth=Ash Marshall|Timestamp=201209170732|TC=B|SourceArt=Balthazar Clock Tower Incident|FLAuth=The Hon. Ezereen Trapezius}}<br />
{{IndexInline-One|Type=FL-Acc|Art=Cincinatti Experiment|DibAuth=The Hon. Ezereen Trapezius|Timestamp=201209170558|TC=A|SourceArt=Arlington_Address,_The|FLAuth=Carlyle de Groot}}<br />
{{IndexInline-One|Type=FL|Art=Class|TC=B|SourceArt=Bourgeoisie|FLAuth=Comrade professor Theodor Nette}}<br />
{{IndexInline-One|Type=FL-Acc|Art=ConeffKlatt, Samuel|DibAuth=Temperance Lamprey-Pond|Timestamp=201209231507|TC=B|SourceArt=B*|FLAuth=Birchwood H. Spooner}}<br />
{{IndexInline-One|Type=FL|Art=Council of Elders|FLAuth=Otter Jenkins|TC=G|SourceArt=Green Hussar}}<br />
{{IndexInline-One|Type=FL-Acc|Art=Crimp/Mono Syndicate|DibAuth=Marshall Q. "Gary" Baldwin|Timestamp=201209170933|TC=A|SourceArt=Adda Krazh|FLAuth=Dr. Meatus (resplendent) DDS}}<br />
{{IndexInline-One|Type=FL-Acc|Art=Cryptodentistry|DibAuth=Dr. Meatus (resplendent) DDS|Timestamp=201209171758|TC=A|SourceArt=Zooey_Akimoto|FLAuth=Zohar Klee}}<br />
{{IndexInline-One|Type=FL-Acc|Art=Climatological Flux|DibAuth=Carlyle de Groot|Timestamp=201209170927|TC=A|SourceArt=Antarctic Superposition|FLAuth=Alt Melis}}<br />
{{IndexInline-One|Type=FL-Acc|Art=Clock Tower Preservation Society|DibAuth=Prof. Reinhold Sanger|TC=B|SourceArt=Balthazar Clock Tower Incident|FLAuth=The Hon. Ezereen Trapezius}}<br />
{{IndexInline-One|Type=FL-Acc|Art=Coba, Mycinea|DibAuth=Birchwood H. Spooner|Timestamp=201209171149|TC=B|SourceArt=Binary Ants|FLAuth=Somer Buchanan}}<br />
{{IndexInline-One|Type=FL-Acc|Art=Codex Adulatio|DibAuth=Alt Melis|Timestamp=201209171033|TC=B|SourceArt=Bendis|FLAuth=Temperance Lamprey-Pond}}<br />
{{IndexInline-One|Type=FL-Acc|Art=Cohabitative Soft Peace|DibAuth=Porch|Timestamp=201209171217|TC=B|SourceArt=Broken People|FLAuth=Dr. Meatus (resplendent) DDS}}<br />
{{IndexInline-One|Type=FL-Acc|Art=COMA|DibAuth=Terry the Splendour|TC=B|SourceArt=Broken People|FLAuth=Dr. Meatus (resplendent) DDS}}<br />
{{IndexInline-One|Type=FL-Acc|Art=Computation Gang|DibAuth=Morwenna Celeste|Timestamp=201209171152|TC=B|SourceArt=Binary Ants|FLAuth=Somer Buchanan}}<br />
{{IndexInline-One|Art=Computer Culture|DibAuth=M-2|FLAuth=Birchwood H. Spooner|SourceArt=B*|TC=B|Type=FL-Acc}}<br />
{{IndexInline-One|Type=FL-Acc|Art=Constellation|DibAuth=Zohar Klee|Timestamp=201209170937|TC=A|SourceArt=Abuti|FLAuth=Somer Buchanan}}<br />
{{IndexInline-One|Type=FL-Acc|Art=Consumerism|DibAuth=Comrade professor Theodor Nette|Timestamp=201209180918|TC=B|SourceArt=Beta Capital|FLAuth=Sandis Dzerve}}<br />
<br />
= D =<br />
{{IndexInline-One|Art=Dark Antimatter|DibAuth=Alt Melis|Type=Acc}}<br />
{{IndexInline-One|Type=FL|Art=Decentralized Nervous System|TC=H|SourceArt=Hepta-delerium|FLAuth=St. John Battersea}}<br />
{{IndexInline-One|Type=FL-Acc|Art=Degeneration Theory|TC=B|SourceArt=Batavia Excession|FLAuth=Carlyle de Groot|DibAuth=Prof. Reinhold Sanger}}<br />
{{IndexInline-One|Type=FL-Acc|SourceArt=Codex Adulatio|TC=C|Art=Demiurge Plague|FLAuth=Alt Melis|DibAuth=Ash Marshall}}<br />
{{IndexInline-One|Art=Derring-Do|DibAuth=Minetta Garage|Type=Acc}}<br />
{{IndexInline-One|Type=FL-Acc|Art=Devotchka Device|DibAuth=Birchwood H. Spooner|TC=C|SourceArt=Cincinatti Experiment|FLAuth=The Hon. Ezereen Trapezius}}<br />
{{IndexInline-One|Type=FL-Acc|SourceArt=Archives of Aramathea|TC=A|Art=Diaspora|FLAuth=Otter Jenkins|DibAuth=Flamen Volturnalis}}<br />
{{IndexInline-One|Art=Dinglebots!|DibAuth=St. John Battersea|Timestamp=201209251625|Type=Acc}}<br />
{{IndexInline-One|Type=FL-Acc|DibAuth=Terry the Splendour|Art=Distributed Commonwealth of Autonomous Machines|TC=B|SourceArt=Buryatia-Patagonia Transverse|FLAuth=M-2}}<br />
{{IndexInline-One|Art=Divergence|DibAuth=Marshall Q. "Gary" Baldwin|Type=Acc}}<br />
{{IndexInline-One|Type=FL|Art=Dokter, Madelaine|TC=D|SourceArt=Distributed Commonwealth of Autonomous Machines|FLAuth=Terry the Splendour}}<br />
{{IndexInline-One|Art=Doomsday Clock|DibAuth=M-2|Type=Acc}}<br />
{{IndexInline-One|Type=FL-Sub|Art=Drongo (Dicrurus prolificus)|DibAuth=Morwenna Celeste|Type=Acc}}<br />
{{IndexInline-One|Type=FL-Acc|Art=Drooly brothers|TC=A|SourceArt=Anachronism|FLAuth=Comrade professor Theodor Nette|DibAuth=Otter Jenkins}}<br />
{{IndexInline-One|Art=Drugmath|DibAuth=John Kinzie|Type=Acc}}<br />
{{IndexInline-One|Art=D'g'ummm M'gaak|DibAuth=Dr._Meatus_(resplendent)_DDS|Type=Acc}}<br />
<br />
Authorized Late:<br />
{{IndexInline-One|Type=FL-Dib|SourceArt=Arroyo Champa y Smith Incident|TC=A|Art=Demisportive Panoptics|FLAuth=Erik-Eric Charterly|DibAuth=Temperance Lamprey-Pond}}<br />
<br />
= E =<br />
{{IndexInline-One|Type=FL-Acc|DibAuth=Minetta Garage|Art=Echindae|TC=D|SourceArt=Dark Antimatter|FLAuth=Alt Melis}}<br />
{{IndexInline-One|Type=FL-Acc|DibAuth=Morwenna Celeste|Art=Echs Ess Yun|TC=D|SourceArt=Degeneration Theory|FLAuth=Prof. Reinhold Sanger}}<br />
{{IndexInline-One|Type=FL-Acc|Art=Eggs|TC=A|SourceArt=Anatiferous|FLAuth=Minetta Garage|DibAuth=Ash Marshall}}<br />
{{IndexInline-One|Type=FL-Acc|DibAuth=Prof. Reinhold Sanger|Art=Emotionally Transmitted Disease|TC=C|SourceArt=Carla's Gift|FLAuth=St. John Battersea}}<br />
{{IndexInline-One|Type=FL|Art=End Times|FLAuth=Dr. Meatus (resplendent) DDS|TC=F|SourceArt=Feral Roadies}} <br />
{{IndexInline-One|Type=FL-Acc|DibAuth=The Hon. Ezereen Trapezius|Art=English Archipelago|TC=B|SourceArt=Brromley|FLAuth=John Kinzie}}<br />
{{IndexInline-One|Type=FL-Dib|DibAuth=Marshall Q. "Gary" Baldwin|Art=Enigmachine|TC=D|SourceArt=Distributed Commonwealth of Autonomous Machines|FLAuth=Terry the Splendour}}<br />
{{IndexInline-One|Type=FL-Acc|DibAuth=DWRoelands|Art=Ether|TC=A|SourceArt=Anatiferous|FLAuth=Minetta Garage}}<br />
{{IndexInline-One|Type=FL-Acc|DibAuth=The Left Honorable Earl of Innsmouth|Art=Europe, Post-Excession|TC=B|SourceArt=Beta Capital|FLAuth=Sandis Dzerve}}<br />
{{IndexInline-One|Type=FL-Acc|DibAuth=Birchwood H. Spooner|Art=Excession Era|TC=B|SourceArt=The Bretton Extract|FLAuth=Terry the Splendour}}<br />
{{IndexInline-One|Art=Excessionology|Type=FL|FLAuth=M-2|TC=I|SourceArt=Inferior Spatial Dimensions}}<br />
{{IndexInline-One|Type=FL-Acc|DibAuth=St. John Battersea|Art=Excessions|TC=A|SourceArt=Archives of Aramathea|FLAuth=Otter Jenkins}}<br />
{{IndexInline-One|Type=FL|Art=Exchange City|FLAuth=Otter Jenkins|TC=F|SourceArt=Fetoun}} <br />
{{IndexInline-One|Type=FL-Acc|DibAuth=M-2|Art=Exotic Metals|TC=B|SourceArt=Baudolino Process|FLAuth=Flamen Volturnalis}}<br />
{{IndexInline-One|Type=FL-Acc|Art=Extended Unified Timeline|TC=D|SourceArt=Divergence|FLAuth=Marshall Q. "Gary" Baldwin|DibAuth=John Kinzie}}<br />
{{IndexInline-One|Type=FL-Acc|Art= Exsanguination Kittens|TC=D|SourceArt=Demiurge Plague|FLAuth=Ash Marshall|DibAuth=Alt Melis}}<br />
{{IndexInline-One|Type=FL-Acc|Art=Ex-London|TC=A|SourceArt=Analogous Zone|FLAuth=The Hon. Ezereen Trapezius|DibAuth=Flamen Volturnalis}}<br />
{{IndexInline-One|Type=FL-Acc|DibAuth=Otter Jenkins|Art=Ex uno, multis|FLAuth=Birchwood H. Spooner|TC=D|SourceArt=Devotchka Device}}<br />
{{IndexInline-One|Type=Dib|DibAuth=Porch|Art=Every Single Moment|TC=E|SourceArt=Every Single Moment|FLAuth=Porch}}<br />
<br />
= F =<br />
{{IndexInline-One|Type=FL-Acc|DibAuth=M-2|Art=FarSight Probe|FLAuth=DWRoelands|TC=E|SourceArt=Ether}}<br />
{{IndexInline-One|Type=FL-Acc|DibAuth=Dr. Meatus (resplendent) DDS|Art=Feral Roadies|FLAuth=Alt Melis|TC=E|SourceArt=Exsanguination Kittens}}<br />
{{IndexInline-One|Type=FL-Acc|DibAuth=Rev. Dr. Samuel Newton Farrington|Art=Festival of Temporal Deviations|FLAuth=Ash Marshall|TC=E|SourceArt=Eggs}}<br />
{{IndexInline-One|Type=FL-Acc|DibAuth=Otter Jenkins|Art=Fetoun|FLAuth=John Kinzie|TC=A|SourceArt=Amn}}<br />
{{IndexInline-One|Type=FL|Art=Final Jam|FLAuth=St. John Battersea|TC=I|SourceArt=Itinerants}}<br />
{{IndexInline-One|Type=Acc|DibAuth=Morwenna Celeste|Art=Finches|TC=F}}<br />
{{IndexInline-One|Type=Acc|DibAuth=Flamen Volturnalis|Art=Finkel, Fyvush|TC=F}}<br />
{{IndexInline-One|Type=Acc|DibAuth=St. John Battersea|Art=Fir luq B'nath|TC=F}}<br />
{{IndexInline-One|Type=FL-Dib|DibAuth=Ash Marshall|Art=First Contact|FLAuth=Otter Jenkins|TC=E|SourceArt=Ex uno, multis}}<br />
{{IndexInline-One|Type=FL-Acc|DibAuth=Prof. Reinhold Sanger|Art=Flamboyant Gentleman Situation|FLAuth=Marshall Q. "Gary" Baldwin|TC=D|SourceArt=Divergence}}<br />
{{IndexInline-One|Type=Acc|DibAuth=Minetta Garage|Art=Flashdance 2|TC=F}}<br />
{{IndexInline-One|Type=Acc|DibAuth=Alt Melis|Art=Forbidden Media|TC=F}}<br />
{{IndexInline-One|Type=FL-Acc|DibAuth=Temperance Lamprey-Pond|Art=Frankenmuth, Alberta|FLAuth=Prof. Reinhold Sanger|TC=C|SourceArt=Clock Tower Preservation Society}} <br />
{{IndexInline-One|Art=Frankenmuth, Amily|SourceArt=Clock Tower Preservation Society|FLAuth=Prof. Reinhold Sanger |TC=C|Type=FL-Acc|DibAuth=Birchwood H. Spooner}}<br />
{{IndexInline-One|Type=FL-Acc|DibAuth=The Hon. Ezereen Trapezius|Art=Frankenmuth Institute|FLAuth=Temperance Lamprey-Pond|TC=F|SourceArt=Frankenmuth, Alberta}}<br />
{{IndexInline-One|Type=Acc|DibAuth=The Left Honorable Earl of Innsmouth|Art=Freakish Rain|TC=F}}<br />
{{IndexInline-One|Type=Acc|DibAuth=John Kinzie|Art=Fuego}}<br />
<br />
= G =<br />
<br />
{{IndexInline-One|Type=FL-Acc|DibAuth=The Left Honorable Earl of Innsmouth|Art=Galbraith Dig|FLAuth=Alt Melis|TC=A|SourceArt=Antarctic_Superposition}} <br />
{{IndexInline-One|Type=Acc|DibAuth=Minetta Garage|Art=Gallo Wasp}}<br />
{{IndexInline-One|Type=FL-Acc|DibAuth=Prof. Reinhold Sanger|Art=Gewgaw Arsenal|TC=D|SourceArt=Demiurge Plague|FLAuth=Ash Marshall}}<br />
{{IndexInline-One|Type=FL-Dib|Art=General Emotional Goods|DibAuth=Rev. Dr. Samuel Newton Farrington|FLAuth=Otter Jenkins|TC=F|SourceArt=Fetoun}} <br />
{{IndexInline-One|Type=FL-Acc|Art=Ghost Partners|DibAuth=Birchwood H. Spooner|FLAuth=Otter Jenkins|TC=C|SourceArt=Cerulean Dimension}}<br />
{{IndexInline-One|Type=FL-Acc|DibAuth=St. John Battersea|Art=Gibraltar Affair|FLAuth=The Hon. Ezereen Trapezius|TC=F|SourceArt=Frankenmuth Institute}}<br />
{{IndexInline-One|Type=FL-Dib|DibAuth=Alt Melis|Art=Gilead Corporation|FLAuth=Temperance Lamprey-Pond|TC=F|SourceArt=Frankenmuth, Alberta}}<br />
{{IndexInline-One|Type=FL-Acc|DibAuth=M-2|Art=Giller|FLAuth=John Kinzie|TC=C|SourceArt=Chicago-Under-The-Sea}}<br />
{{IndexInline-One|Type=FL-Dib|DibAuth=Temperance Lamprey-Pond|Art=Gin derivatives|FLAuth=Minetta Garage|TC=D|SourceArt=Derring-Do}}<br />
{{IndexInline-One|Type=FL-Dib|DibAuth=John Kinzie|Art=Gojira Incident|FLAuth=Alt Melis|TC=F|SourceArt=Forbidden Media}}<br />
{{IndexInline-One|Type=FL-Acc|DibAuth=Dr. Meatus (resplendent) DDS|Art=Goodtimes:Goodsound Redemption Cult|FLAuth=Dr. Meatus (resplendent) DDS|TC=F|SourceArt=Feral Roadies}}<br />
{{IndexInline-One|Art=Great Loop|DibAuth=The Hon. Ezereen Trapezius|FLAuth=Prof. Reinhold Sanger|TC=F|Type=FL-Dib|SourceArt=Flamboyant_Gentleman_Situation}}<br />
{{IndexInline-One|DibAuth=Dr. Meatus (resplendent) DDS|Art=Greater North American Co-Prosperity Sphere|FLAuth=Prof. Reinhold Sanger|TC=B|Type=FL-Dib|SourceArt=Byxs}}<br />
{{IndexInline-One|Art=Green Hussar|Type=Acc|DibAuth=Otter Jenkins|TC=G}}<br />
{{IndexInline-One|Type=FL-Acc|DibAuth=Flamen Volturnalis|Art=Gruber, Gruber Hans|TC=F|SourceArt=Freakish Rain|FLAuth=The Left Honorable Earl of Innsmouth}}<br />
<br />
= H =<br />
<br />
{{IndexInline-One|Type=FL-Acc|DibAuth=Prof. Reinhold Sanger|Art=Hassa II (bey)|FLAuth=John Kinzie|TC=A|SourceArt=Amn}}<br />
{{IndexInline-One|Type=FL-Acc|Art=Hepta-delirium|DibAuth=St. John Battersea|FLAuth=The Hon. Ezereen Trapezius|TC=A|SourceArt=Analogous Zone}}<br />
{{IndexInline-One|Type=FL-Acc|DibAuth=M-2|Art=Hera|FLAuth=Flamen Volturnalis|TC=B|SourceArt=Baudolino Process}}<br />
{{IndexInline-One|Type=FL-Acc|DibAuth=Otter Jenkins|Art=High Holiday|FLAuth=Morwenna Celeste|TC=A|SourceArt=The Adumbration of Byxs}}<br />
{{IndexInline-One|Type=FL-Acc|DibAuth=Birchwood H. Spooner|Art=Historical Ignorance Platform|FLAuth=Alt Melis|TC=F|SourceArt=Forbidden Media}}<br />
{{IndexInline-One|Type=FL-Acc|DibAuth=Minetta Garage|Art=Holographic dancing|FLAuth=Zohar Klee|TC=B|SourceArt=Berry (food)}}<br />
{{IndexInline-One|Type=FL-Acc|DibAuth=The Left Honorable Earl of Innsmouth|Art=Holovision|FLAuth=St. John Battersea|TC=D|SourceArt=Dinglebots!}}<br />
{{IndexInline-One|Type=FL|Art=Holovision Impairment Virus|FLAuth=The Left Honorable Earl of Innsmouth|SourceArt=Holovision|TC=H}}<br />
{{IndexInline-One|Type=FL|Art=Honey|FLAuth=Flamen Volturnalis|TC=G|SourceArt=Gruber, Gruber Hans}}<br />
{{IndexInline-One|Art=Humanoids|FLAuth=M-2|SourceArt=Giller|TC=G|Type=FL}}<br />
{{IndexInline-One|Type=FL|Art=Hurricane|FLAuth=Prof. Reinhold Sanger|SourceArt=Gewgaw Arsenal|TC=G}}<br />
<br />
= I =<br />
<br />
{{IndexInline-One|Type=FL-Acc|DibAuth=Minetta Garage|Art=Icon Purge|FLAuth=Birchwood H. Spooner|TC=H|SourceArt=Historical Ignorance Platform}}<br />
{{IndexInline-One|Type=FL-Acc|DibAuth=Otter Jenkins|Art=Imminence Period|FLAuth=Will.i.am Rammstein Durst|TC=A|SourceArt=Adelson Holography Console}}<br />
{{IndexInline-One|Type=FL|Art=Indigo, Henrik|FLAuth=The Left Honorable Earl of Innsmouth|TC=G|SourceArt=Galbraith Dig}}<br />
{{IndexInline-One|Type=FL-Acc|Art=Indigo Theory|DibAuth=Prof. Reinhold Sanger|FLAuth=Birchwood H. Spooner|TC=C|SourceArt=Coba Mycinea}}<br />
{{IndexInline-One|Art=Inferior Spatial Dimensions|Type=FL-Acc|DibAuth=M-2|FLAuth=Prof. Reinhold Sanger|TC=B|SourceArt=Batavia Excession}}<br />
{{IndexInline-One|Art=Inferior Temporal Dimensions|Type=FL|FLAuth=M-2|TC=I|SourceArt=Inferior Spatial Dimensions}}<br />
{{IndexInline-One|Type=FL-Acc|Art=InfoArchologies|DibAuth=Morwenna Celeste|FLAuth=Otter Jenkins|TC=G|SourceArt=Green Hussar}}<br />
{{IndexInline-One|Type=FL-Acc|DibAuth=Birchwood H. Spooner|Art=Information Broker|FLAuth=M-2|TC=A|SourceArt=Akademik Lomonosov III}}<br />
{{IndexInline-One|Type=FL|Art=International Trade|FLAuth=Sandis Dzerve|TC=A|SourceArt=Accumulation Theory}}<br />
{{IndexInline-One|Type=FL|Art=Inundation|FLAuth=John Kinzie|TC=C|SourceArt=Chicago-Under-The-Sea}}<br />
{{IndexInline-One|Type=FL-Acc|DibAuth=St. John Battersea|Art=Itinerants|FLAuth=Percival Sextus Helle-Hollbach Rien III|TC=A|SourceArt=Asynchronous co-terminality}}<br />
<br />
= J =<br />
<br />
{{IndexInline-One|Type=FL-Dib|DibAuth=M-2|Art=J0k3r3l1t3|FLAuth=The Left Honorable Earl of Innsmouth|SourceArt=Holovision|TC=H}}<br />
{{IndexInline-One|Type=FL-Dib|DibAuth=Terry the Splendour|Art=Janesville Janissaries|SourceArt=Finkel,_Fyvush|TC=F|FLAuth=Flamen Volturnalis}}<br />
{{IndexInline-One|Type=FL-Dib|DibAuth=Otter Jenkins|Art=Janus Economic Consortium|FLAuth=Marshall Q. "Gary" Baldwin|TC=A|SourceArt=Asynchronous Chronosynchronometer}}<br />
{{IndexInline-One|Type=FL-Dib|DibAuth=Marshall Q. "Gary" Baldwin|Art=Japhetheine|FLAuth=John Kinzie|TC=D|SourceArt=Drugmath}}<br />
{{IndexInline-One|Type=FL-Sub|DibAuth=The Hon. Ezereen Trapezius|Art=Japon|FLAuth=St. John Battersea|TC=F|SourceArt=Fir luq B'nath}}<br />
{{IndexInline-One|Type=FL-Dib|DibAuth=Morwenna Celeste|Art=Jeff of the Hundred Battles|FLAuth=St. John Battersea|TC=F|SourceArt=Fir luq B'nath}}<br />
{{IndexInline-One|Type=FL-Dib|DibAuth=Jude the Lesser|Art=Jenkins, Eustace|FLAuth=Birchwood H. Spooner|TC=C|SourceArt=Coba Mycinea}}<br />
{{IndexInline-One|Art=Jhess|DibAuth=Expositor Albrecht "Joey" Loophaus, FES|Type=Dib}}<br />
{{IndexInline-One|Type=FL-Dib|DibAuth=The Left Honorable Earl of Innsmouth|Art=John Paul George Pete IX, Pope|FLAuth=St. John Battersea|TC=G|SourceArt=Gibraltar Affair}}<br />
{{IndexInline-One|Type=FL-Dib|DibAuth=Prof. Reinhold Sanger|Art=JX11 – 24 and Manperson|FLAuth=Terry the Splendour|TC=C|SourceArt=COMA}}<br />
<br />
= K =<br />
<br />
{{IndexInline-One|Type=FL|Art=Kawasaki, Malachi|FLAuth=Flamen Volturnalis|TC=A|SourceArt=Athabasca Incident}}<br />
{{IndexInline-One|Type=FL|Art=Kelthine Peninsula |FLAuth=The Hon. Ezereen Trapezius|TC=J|SourceArt=Japon}}<br />
{{IndexInline-One|Type=FL|Art=Key Date|FLAuth=John Kinzie|TC=E|SourceArt=Extended Unified Timeline}}<br />
{{IndexInline-One|Type=FL|Art=Kourt|FLAuth=Birchwood H. Spooner|TC=I|SourceArt=Information Broker}}<br />
{{IndexInline-One|Type=FL|Art=Kraft Sircle|FLAuth=Ash Marshall|TC=E|SourceArt=Eggs}}<br />
{{IndexInline-One|Type=FL|Art=Kramptangler|FLAuth=Prof. Reinhold Sanger|TC=I|SourceArt=Indigo Theory}}<br />
{{IndexInline-One|Type=FL|Art=Kraker Metgezel|FLAuth=The Left Honorable Earl of Inssmouth|TC=E|SourceArt=Europe, Post-Excession}}<br />
<br />
= L =<br />
<br />
{{IndexInline-One|Type=FL|Art=La Lime, Jean|FLAuth=John Kinzie|TC=E|SourceArt=Extended Unified Timeline}}<br />
{{IndexInline-One|Type=FL|Art=Land-Kentucky|FLAuth=Minetta Garage|TC=D|SourceArt=Derring-Do}}<br />
{{IndexInline-One|Type=FL|Art=Leghan, the|FLAuth=The Hon. Ezereen Trapezius|TC=J|SourceArt=Japon}}<br />
{{IndexInline-One|Type=FL|Art=Lesotho Guild|FLAuth=St. John Battersea|TC=H|SourceArt=Hepta-delerium}}<br />
{{IndexInline-One|Type=FL|Art=Limbic partners|FLAuth=Minetta Garage|TC=H|SourceArt=Holographic dancing}}<br />
{{IndexInline-One|Type=FL|Art=Lintar-Ratnil|SourceArt=Finkel,_Fyvush|TC=F|FLAuth=Flamen Volturnalis}}<br />
{{IndexInline-One|Art=Londonite|FLAuth=Flamen Volturnalis|SourceArt=Cincinatti Experiment|TC=C|Type=FL}}<br />
{{IndexInline-One|Art=Long Afternoon|FLAuth=The Hon. Ezereen Trapezius|SourceArt=Ex-London|TC=E|Type=FL}}<br />
{{IndexInline-One|Type=FL|Art=Lost Arts|FLAuth=Somer Buchanan|SourceArt=Abuti|TC=A}}<br />
<br />
= M =<br />
<br />
{{IndexInline-One|Type=FL|Art=Ma, Yo Yo 16|FLAuth=Otter Jenkins|TC=C|SourceArt=Cerulean Dimension}}<br />
{{IndexInline-One|Art=Machine Occupational Heath and Safety Association|FLAuth=Morwenna Celeste|TC=C|Type=FL|SourceArt=Computation Gang}}<br />
{{IndexInline-One|Art=Malformed, The|FLAuth=The Left Honorable Earl of Innsmouth|TC=F|Type=FL|SourceArt=Freakish Rain}}<br />
{{IndexInline-One|Type=FL|Art=Malus Malus|FLAuth=Comrade professor Theodor Nette|SourceArt=Anachronism|TC=A}}<br />
{{IndexInline-One|Type=FL|Art=Materialism|FLAuth=Comrade professor Theodor Nette|SourceArt=Consumerism|TC=C}}<br />
{{IndexInline-One|Type=FL|Art=Matterport|FLAuth=John Kinzie|SourceArt=Fuego|TC=F}}<br />
{{IndexInline-One|Art=Meccro-economics|FLAuth=Minetta Garage|TC=B|SourceArt=Baranavichy Incident|Type=FL}}<br />
{{IndexInline-One|Art=Mechanical Zeb, The|FLAuth=Prof. Reinhold Sanger|TC=G|SourceArt=Gewgaw Arsenal|Type=FL}} <br />
{{IndexInline-One|Type=FL|Art=Ministry of Weights, Measures, and Moral Rectitude|FLAuth=Terry the Splendour|SourceArt=The Archetypes|TC=A}}<br />
{{IndexInline-One|Type=FL|Art=Mitad del Mundo|FLAuth=John Kinzie|SourceArt=Fuego|TC=F}}<br />
{{IndexInline-One|Type=FL|Art=Mode|FLAuth=Otter Jenkins|SourceArt=Imminence Period|TC=I}}<br />
{{IndexInline-One|Type=FL|Art=Moo-Cow Memorandum|FLAuth=Minetta Garage|SourceArt=Gallo_Wasp|TC=G}}<br />
{{IndexInline-One|Type=FL|Art=Mt. Jezebel|FLAuth=St. John Battersea|SourceArt=Excessions|TC=E}}<br />
<br />
= N =<br />
<br />
{{IndexInline-One|Type=FL|Art=Nardinos|FLAuth=Temperance Lamprey-Pond|TC=[[One:Bendis|B]]}}<br />
{{IndexInline-One|Type=FL|Art=Narrative Friction|FLAuth=Otter Jenkins|TC=D|SourceArt=Drooly brothers}}<br />
{{IndexInline-One|Type=FL|Art=Nedley, Ames|FLAuth=Birchwood H. Spooner|TC=G|SourceArt=Ghost Partners}}<br />
{{IndexInline-One|Type=FL|Art=Neo-Tidal Magnetism|FLAuth=Minetta Garage|SourceArt=Icon Purge|TC=I}}<br />
{{IndexInline-One|Type=FL|Art=Nessum Stardrive|FLAuth=Flamen Volturnalis|TC=D|SourceArt=Diaspora}}<br />
{{IndexInline-One|Type=FL|Art=Nestlings|FLAuth=Birchwood H. Spooner|TC=[[One:Frankenmuth, Amily|F]]}}<br />
{{IndexInline-One|Type=FL|Art=New Free Presbyterianism|FLAuth=Rev. Dr. Samuel Newton Farrington|TC=[[One:Festival of Temporal Deviations|F]]}}<br />
{{IndexInline-One|Art=New Tampa|FLAuth=Temperance Lamprey-Pond|SourceArt=ConeffKlatt, Samuel|TC=C|Timestamp=201209231500|Type=FL}}<br />
{{IndexInline-One|Type=FL|Art=Nik'lhus|FLAuth=John Kinzie|TC=[[One:Brromley|B]]}}<br />
{{IndexInline-One|Art=Norte Costa|FLAuth=Morwenna Celeste|SourceArt=Bantu Brothers|TC=B|Type=FL}}<br />
<br />
= O =<br />
<br />
{{IndexInline-One|Art=Old Australia|FLAuth=Flamen Volturnalis|SourceArt=Causality Reversal|TC=C|Type=FL}}<br />
{{IndexInline-One|Art=Omicron Exocron Five Corporation|FLAuth=Minetta Garage|SourceArt=Cetaceans|TC=C|Type=FL}}<br />
{{IndexInline-One|Art=Oomingmak Day|FLAuth=Otter Jenkins|SourceArt=High Holiday|TC=H|Type=FL}}<br />
{{IndexInline-One|Art=Opthalmological Chronology|FLAuth=Marshall Q. "Gary" Baldwin|SourceArt=Crimp/Mono Syndicate|TC=C|Timestamp=201209231008|Type=FL}}<br />
{{IndexInline-One|Art=Other Other: And Other Tales, The|FLAuth=Temperance Lamprey-Pond|SourceArt=ConeffKlatt, Samuel|TC=C|Timestamp=201209231500|Type=FL}}<br />
{{IndexInline-One|Art=Oval Sea|FLAuth=Otter Jenkins|SourceArt=Bhong Literates|TC=B|Type=FL}}<br />
<br />
= P =<br />
<br />
{{IndexInline-One|Type=FL|Art=Pastoral Party Picnics|FLAuth=Minetta Garage|SourceArt=Gallo_Wasp|TC=G}}<br />
{{IndexInline-One|Art=The People People|FLAuth=Porch|SourceArt=Cohabitative Soft Peace|TC=C|Type=FL}}<br />
{{IndexInline-One|Type=FL|Art=Pepples|FLAuth=Temperance Lamprey-Pond|SourceArt=Antiantibacterials|TC=A}}<br />
{{IndexInline-One|Type=FL|Art=P.E.S.T. Act|FLAuth=DWRoelands|SourceArt=Ether|TC=E}}<br />
{{IndexInline-One|Type=FL|Art=Philo-Eidetic Linguistic Crisis|FLAuth=Otter Jenkins|SourceArt=Imminence Period|TC=I}}<br />
{{IndexInline-One|Art=Piper|FLAuth=Morwenna Celeste|SourceArt=Echs Ess Yun|TC=E|Type=FL}}<br />
{{IndexInline-One|Type=FL|Art=Plinth, Everett|FLAuth=Birchwood H. Spooner|TC=D|SourceArt=Devotchka Device}}<br />
{{IndexInline-One|Type=FL|Art=Polished Mirror Institute|FLAuth=Prof. Reinhold Sanger|SourceArt=Degeneration Theory|TC=D}}<br />
{{IndexInline-One|Type=FL|Art=Positronic Emotion Generator |FLAuth=Prof. Reinhold Sanger|TC=E|SourceArt=Emotionally Transmitted Disease}}<br />
{{IndexInline-One|Type=FL|Art=Post-plasma Breakdown|FLAuth=Minetta Garage|TC=E|SourceArt=Echindae}}<br />
{{IndexInline-One|Art=Pre-Excession Era|FLAuth=M-2|SourceArt=Doomsday Clock|TC=D|Type=FL}}<br />
{{IndexInline-One|Art=Prelates|FLAuth=Otter Jenkins|TC=B|Type=FL|SourceArt=Bhong Literates}}<br />
{{IndexInline-One|Art=Pre-post-facto Polymerase Chain Reaction | FLAuth=Morwenna Celeste|TC=D|Type=FL|SourceArt=Drongo (Dicrurus prolificus)}}<br />
{{IndexInline-One|Art=Primary Excession|FLAuth=Flamen Volturnalis|SourceArt=Causality Reversal|TC=C|Type=FL}}<br />
{{IndexInline-One|Art=Proletarian|FLAuth=Comrade professor Theodor Nette|TC=B|Type=FL|SourceArt=Bourgeoisie}}<br />
{{IndexInline-One|Type=FL|Art=Protopresence|FLAuth=Ash Marshall|TC=C|SourceArt=Chronological Theory}}<br />
{{IndexInline-One|Type=FL|Art=Puce Juice|FLAuth=Ash Marshall|TC=B|Type=FL|SourceArt=Bastard Bubbles}}<br />
<br />
= Q =<br />
<br />
{{IndexInline-One|Art=Qingming Festival|FLAuth=Otter Jenkins|SourceArt=High Holiday|TC=H|Type=FL}}<br />
{{IndexInline-One|Art=Quadratic Chronology|FLAuth=Marshall Q. "Gary" Baldwin|SourceArt=Crimp/Mono Syndicate|TC=C|Type=FL}}<br />
{{IndexInline-One|Art=Quarterly Census|FLAuth=Alt Melis|SourceArt=Bissun|TC=B|Type=FL}}<br />
{{IndexInline-One|Type=FL|Art=Quid Pro Quo Technology|FLAuth=Minetta Garage|TC=H|SourceArt=Holographic dancing}}<br />
<br />
= R =<br />
{{IndexInline-One|Type=FL|Art=Races|FLAuth=Otter Jenkins|TC=E|SourceArt=Ex uno, multis}}<br />
{{IndexInline-One|Art=Radio Radio Beam|FLAuth=Minetta Garage|SourceArt=Cetaceans|TC=C|Type=FL}}<br />
{{IndexInline-One|Type=FL|Art=Reality Cheque|FLAuth=M-2|SourceArt=Exotic Metals|TC=E}}<br />
{{IndexInline-One|Type=FL|Art=Redemption Cult|FLAuth=Dr. Meatus (resplendent) DDS|TC=F|SourceArt=Feral Roadies}}<br />
{{IndexInline-One|Type=FL|Art=Relativistic Underlayment|FLAuth=Prof. reinhold Sanger|TC=I|SourceArt=Indigo Theory}}<br />
{{IndexInline-One|Type=FL|Art=Remnant Curation|FLAuth=Ash Marshall|TC=A|SourceArt=Apex scavenger}}<br />
{{IndexInline-One|Type=FL|Art=Reshuffle Kerfuffle|FLAuth=Terry the Splendour|TC=A|SourceArt=The Archetypes}}<br />
{{IndexInline-One|Art=Reverse Cryptolingual Binding|FLAuth=Morwenna Celeste|SourceArt=Echs Ess Yun|TC=E|Type=FL}}<br />
{{IndexInline-One|Art=Rhythm War|FLAuth=Marshall Q. "Gary" Baldwin|TC=B|Type=FL|SourceArt=Balthazar Clock Tower Incident}}<br />
{{IndexInline-One|Art=Robot Purity Movement|FLAuth=Minetta Garage|SourceArt=Flashdance 2|TC=F|Type=FL}}<br />
{{IndexInline-One|Type=FL|Art=Rogers, Patrick B.|FLAuth=Birchwood H. Spooner|TC=F|SourceArt=Forbidden Media}}<br />
{{IndexInline-One|Type=FL|Art=Rosewind|FLAuth=Porch|TC=B|SourceArt=Brimwind}}<br />
{{IndexInline-One|Art=Rotating Ocean|FLAuth=Carlyle de Groot|TC=C|Type=FL|SourceArt=Climatological Flux}}<br />
{{IndexInline-One|Type=FL|Art=Rut, Inna|FLAuth=Comrade professor Theodor Nette|SourceArt=Consumerism|TC=C}}<br />
<br />
= S =<br />
<br />
{{IndexInline-One|Type=FL|Art=Sagittarius Initiative|FLAuth=Flamen Volturnalis|TC=A|SourceArt=Athabasca Incident}}<br />
{{IndexInline-One|Type=FL|Art=St. Albans|FLAuth=Birchwood H. Spooner|TC=A|SourceArt=Atherton's Puzzle}}<br />
{{IndexInline-One|Art=Second War|FLAuth=Porch|SourceArt=Cohabitative Soft Peace|TC=C|Type=FL}}<br />
{{IndexInline-One|Type=FL|Art=Secondary Excession|FLAuth=Prof. Reinhold Sanger|TC=E|SourceArt=Emotionally Transmitted Disease}}<br />
{{IndexInline-One|Type=FL|Art=Seventh Excession|FLAuth=St. John Battersea|TC=I|SourceArt=Itinerants}}<br />
{{IndexInline-One|Art=Sexual Pentachromatism|FLAuth=Morwenna Celeste|TC=F|SourceArt=Finches|Type=FL}}<br />
{{IndexInline-One|Art=Severance (City)|FLAuth=Terry the Splendour|TC=B|SourceArt=The Bretton Extract|Type=FL}}<br />
{{IndexInline-One|Art=Sleep-to-Bed Manifesto|FLAuth=Minetta Garage|TC=B|SourceArt=Baranavichy Incident|Type=FL}}<br />
{{IndexInline-One|Type=FL|Art=Smexting|FLAuth=M-2|SourceArt=Exotic Metals|TC=E}}<br />
{{IndexInline-One|Type=FL|Art=Soupy Sentience|FLAuth=The Left Honorable Earl of Innsmouth|SourceArt=Europe, Post-Excession|TC=E}}<br />
{{IndexInline-One|Type=FL|Art=Spoogiphex|FLAuth=Temperance Lamprey-Pond|TC=A|SourceArt=Antiantibacterials}}<br />
{{IndexInline-One|Art=Stability|FLAuth=Carlyle de Groot|TC=C|Type=FL|SourceArt=Climatological Flux}}<br />
{{IndexInline-One|Art=Starwarp|FLAuth=M-2|SourceArt=Computer Culture|TC=C|Type=FL}}<br />
{{IndexInline-One|Art=Strawberry Jam|FLAuth=Morwenna Celeste|SourceArt=InfoArchologies|TC=I|Type=FL}}<br />
{{IndexInline-One|Art=Suet Feeder|FLAuth=Morwenna Celeste|TC=F|SourceArt=Finches|Type=FL}}<br />
{{IndexInline-One|Art=Supranormal Activity Investigation Team|SourceArt=Clock Tower Preservation Society|FLAuth=Prof. Reinhold Sanger|TC=C|Type=FL}}<br />
{{IndexInline-One|Art=Swoopsie|SourceArt=Gibraltar Affair|FLAuth=St. John Battersea|TC=G|Type=FL}}<br />
<br />
= T =<br />
<br />
{{IndexInline-One|Type=FL|Art="Tacos for Keyholes"|FLAuth=Minetta Garage|TC=E|SourceArt=Echindae}}<br />
{{IndexInline-One|Type=FL|Art=Tag|FLAuth=Dr. Meatus (resplendent) DDS|TC=C|SourceArt=Cryptodentistry}}<br />
{{IndexInline-One|Type=FL|Art=Tealbottom, Gail|FLAuth=Terry the Splendour|TC=C|SourceArt=COMA}}<br />
{{IndexInline-One|Type=FL|Art=Temporal Flux|FLAuth=The Oculus|TC=A|SourceArt=Acinetobacter transtemporalis}}<br />
{{IndexInline-One|Type=FL|Art=Temporolalia|FLAuth=Will.i.am Rammstein Durst|TC=B|SourceArt=Babel Narrative Theory}}<br />
{{IndexInline-One|Type=FL|Art=Temporon|FLAuth=Carlyle de Groot|TC=A|SourceArt=Arlington Address, The}}<br />
{{IndexInline-One|Art=Temporogenetics| FLAuth=Morwenna Celeste|TC=D|Type=FL|SourceArt=Drongo (Dicrurus prolificus)}}<br />
{{IndexInline-One|Type=FL|Art=Timelines|FLAuth=Flamen Volturnalis|TC=D|SourceArt=Diaspora}}<br />
{{IndexInline-One|Type=FL|Art=Timeline Splinters|FLAuth=Birchwood H. Spooner|TC=E|SourceArt=Excession Era}}<br />
{{IndexInline-One|Type=FL|Art=Timewave|FLAuth=Ash Marshall|TC=C|SourceArt=Chronological Theory}}<br />
{{IndexInline-One|Type=FL|Art=The Tome of Croyle|FLAuth=Porch|TC=B|SourceArt=Brimwind}}<br />
{{IndexInline-One|Type=FL|Art=Transdimensional Engineering|FLAuth=The Oculus|TC=A|SourceArt=Acinetobacter transtemporalis}}<br />
{{IndexInline-One|Type=FL|Art=Transdimensional Parasite|FLAuth=Flamen Volturnalis|TC=G|SourceArt=Gruber, Gruber Hans}}<br />
{{IndexInline-One|Type=FL|Art=Transfetoun)|FLAuth=Prof. Reinhold Sanger|TC=H|SourceArt=Hassa II (bey)}}<br />
{{IndexInline-One|Type=FL|Art=Transpositional Theory|FLAuth=The Left Honorable Earl of Innsmouth|TC=G|SourceArt=Galbraith Dig}}<br />
{{IndexInline-One|Type=FL|Art=Treaty of New New York|FLAuth=Phineas Cornelius of Vienna|TC=A|SourceArt=American War of Robotic Independence}}<br />
{{IndexInline-One|Type=FL|Art=Treypanning|FLAuth=Erik-Eric Charterly|TC=A|SourceArt=Arroyo Champa y Smith Incident}}<br />
{{IndexInline-One|Type=FL|Art=Triannual Festival|FLAuth=Zohar Klee|TC=B|SourceArt=Berry (food)}}<br />
{{IndexInline-One|Art=Tunguska Ejection|SourceArt=Buryatia-Patagonia Transverse|FLAuth=M-2|TC=B|Type=FL}}<br />
<br />
= U =<br />
<br />
{{IndexInline-One|Art=University of Chicago-Under-the-Sea|FLAuth=M-2|SourceArt=Giller|TC=G|Type=FL}}<br />
{{IndexInline-One|Art=University of New Old York|FLAuth=M-2|SourceArt=FarSight Probe|TC=F|Type=FL}}<br />
{{IndexInline-One|Type=FL|Art=University of Thimphu|FLAuth=John Kinzie|TC=D|SourceArt=Drugmath}}<br />
{{IndexInline-One|Type=FL|Art=Unnamed Hierarch|FLAuth=Percival Sextus Helle-Hollbach Rien III|TC=A|SourceArt=Asynchronous co-terminality}}<br />
{{IndexInline-One|Type=FL|Art=United Celtic Republics|FLAuth=Flamen Volturnalis|TC=E|SourceArt=Ex-London}}<br />
{{IndexInline-One|Type=FL|Art=Untied Kingdom, The|FLAuth=The Hon. Ezereen Trapezius|TC=E|SourceArt=English Archipelago}}<br />
<br />
= V =<br />
<br />
{{IndexInline-One|Art=Violet Race Farewell|FLAuth=M-2|SourceArt=Computer Culture|TC=C|Type=FL}}<br />
{{IndexInline-One|Art=Vorticians|FLAuth=M-2|SourceArt=FarSight Probe|TC=F|Type=FL}}<br />
{{IndexInline-One|Art=Vonnegut Cycle|FLAuth=Prof. Reinhold Sanger|SourceArt=Flamboyant Gentleman Situation|TC=F|Type=FL}}<br />
<br />
= W =<br />
<br />
{{IndexInline-One|Art=Walrus Auction|FLAuth=Morwenna Celeste|TC=C|Type=FL|SourceArt=Computation Gang}}<br />
{{IndexInline-One|Type=FL|Art=War of Cartwright's Buttock|FLAuth=St. John Battersea|TC=A|SourceArt=Agreement to Disagree}}<br />
{{IndexInline-One|Type=FL|Art=Warehouses|FLAuth=Birchwood H. Spooner|TC=I|SourceArt=Information Broker}}<br />
{{IndexInline-One|Art=West Sneed|FLAuth=Morwenna Celeste|TC=B|Type=FL|SourceArt=Bantu Brothers}}<br />
{{IndexInline-One|Art=Whackjob|FLAuth=Otter Jenkins|TC=D|Type=FL|SourceArt=Drooly brothers}}<br />
{{IndexInline-One|Art=Wheelz Squealz|FLAuth=Minetta Garage|SourceArt=Flashdance 2|TC=F|Type=FL}}<br />
{{IndexInline-One|Type=FL|Art=World Dentistry Association|FLAuth=Dr. Meatus (resplendent) DDS|TC=C|SourceArt=Cryptodentistry}}<br />
<br />
= X =<br />
<br />
{{IndexInline-One|Type=FL|Art=Xanthoates|FLAuth=Minetta Garage|SourceArt=Icon Purge|TC=I}}<br />
{{IndexInline-One|Art=Xenotemporal Institute of Nairobi|FLAuth=M-2|SourceArt=Doomsday Clock|TC=D|Type=FL}}<br />
{{IndexInline-One|Type=FL|Art=Xor's Plasma Thrower|FLAuth=Dr. Meatus (resplendent) DDS|TC=D|SourceArt=D'g'ummm M'gaak}}<br />
<br />
= Y =<br />
<br />
{{IndexInline-One|Type=FL|Art=Yasiin IV (bey)|FLAuth=Prof. Reinhold Sanger|TC=H|SourceArt=Hassa II (bey)}}<br />
<br />
= Z =<br />
<br />
{{IndexInline-One|Type=FL|Art=Zebanites|FLAuth=Birchwood H. Spooner|TC=A|SourceArt=Atherton's Puzzle}}<br />
{{IndexInline-One|Type=FL|Art=Zebanites Bandologist Reformed|FLAuth=Will.i.am Rammstein Durst|TC=B|SourceArt=Babel Narrative Theory}}<br />
{{IndexInline-One|Type=FL|Art=Zeta Sagittarii|FLAuth=Prof. Reinhold Sanger|SourceArt=Gewgaw Arsenal|TC=G}}<br />
{{IndexInline-One|Type=FL|Art=Ziegler Scale|FLAuth=St. John Battersea|TC=E|SourceArt=Excessions}}<br />
<br />
[[Category:What came after]]</div>Expositor Albrecht "Joey" Loophaus, FEShttps://lex.malcolmgin.com/index.php?title=User:Expositor_Albrecht_%22Joey%22_Loophaus,_FES&diff=2942User:Expositor Albrecht "Joey" Loophaus, FES2012-12-04T01:53:51Z<p>Expositor Albrecht "Joey" Loophaus, FES: </p>
<hr />
<div>I, Expositor Albrecht Loophaus, Fellow of the Eschatological Society of Black Earth, Wisconsin, have been living the same half hour for some three years now. <br />
<br />
The minibrane which has me enmeshed in a type-40 chronal ring manifests as my personal study. At eternal present, my world is comprised of one hard-backed chair for working, one puffy pre-Calamities love seat for relaxing, three shelves of books, a Barrone stilt desk, an Ambergris Corporation lapslab, high-pile red wool carpeting,and a window looking out on a frigid white-noise void. Oh, and there's a door: it opens on a frigid white-noise void. So I don't open it.<br />
<br />
It's not as bad it might seem. I'm always comfortably between meals and evacuations. The air's only barely too warm and can be rapidly cooled by the expedient of slightly cracking the window. The books are informative and blessedly resistant to memorization - but so dry, dry, dry! I'd kill myself in an instant if it meant, on starting the next cycle, that I'd wake up with a couple of paperback Jack Daw mysteries. I used to play human-rules Zness on the lapslab to relieve my boredom, but I grew depressed when the high scores kept resetting.<br />
<br />
I am deprived even the variation of insanity. Madness requires malformation of brain as well as mind, and my neurological architecture resets every half-hour. And yet I retain my memories: the quantum aspect of experience is immune to type-40 effects. A pity, an irony, that I can't remember the exact mechanics from my Temporality and Psyche classes at the Sydney Expository. And chronal loops are nowhere to be found in these hateful books.<br />
<br />
Thanks be that I've somehow gotten the legacy wireless working on the labslab. How, I don't know; another item lost in that educational lacuna. But I've made stable contact with a collaborative history of the post-Calamities years, and what's more, what I write seems to be immune to the chronal ring. It's possible that I've discovered some weakness in the minibrane; a crack that, if worked at and enlarged, could spread across the whole structure and collapse it, spilling me into the darkness beyond realities and extinguishing my memories.<br />
<br />
I'm all for it! ''Crescat scientia''.</div>Expositor Albrecht "Joey" Loophaus, FEShttps://lex.malcolmgin.com/index.php?title=User:Expositor_Albrecht_%22Joey%22_Loophaus,_FES&diff=2940User:Expositor Albrecht "Joey" Loophaus, FES2012-12-04T01:52:02Z<p>Expositor Albrecht "Joey" Loophaus, FES: Created page with "I, Expositor Albrecht Loophaus, Fellow of the Eschatological Society of Black Earth, Wisconsin, have been living the same half hour for some three years now. The minibrane whic..."</p>
<hr />
<div>I, Expositor Albrecht Loophaus, Fellow of the Eschatological Society of Black Earth, Wisconsin, have been living the same half hour for some three years now. <br />
<br />
The minibrane which has me enmeshed in a type-40 chronal loop manifests as my personal study. At eternal present, my world is comprised of one hard-backed chair for working, one puffy pre-Calamities love seat for relaxing, three shelves of books, a Barrone stilt desk, an Ambergris Corporation lapslab, high-pile red wool carpeting,and a window looking out on a frigid white-noise void. Oh, and there's a door: it opens on a frigid white-noise void. So I don't open it.<br />
<br />
It's not as bad it might seem. I'm always comfortably between meals and evacuations. The air's only barely too warm and can be rapidly cooled by the expedient of slightly cracking the window. The books are informative and blessedly resistant to memorization - but so dry, dry, dry! I'd kill myself in an instant if it meant, on starting the next cycle, that I'd wake up with a couple of paperback Jack Daw mysteries. I used to play human-rules Zness on the lapslab to relieve my boredom, but I grew depressed when the high scores kept resetting.<br />
<br />
I am deprived even the variation of insanity. Madness requires malformation of brain as well as mind, and my neurological architecture resets every half-hour. And yet I retain my memories: the quantum aspect of experience is immune to type-40 effects. A pity, an irony, that I can't remember the exact mechanics from my Temporality and Psyche classes at the Sydney Expository. And chronal loops are nowhere to be found in these hateful books.<br />
<br />
Thanks be that I've somehow gotten the legacy wireless working on the labslab. How, I don't know; another item lost in that educational lacuna. But I've made stable contact with a collaborative history of the post-Calamities years, and what's more, what I write seems to be immune to the chronal loop. It's possible that I've discovered some weakness in the minibrane; a crack that, if worked at and enlarged, could spread across the whole structure and collapse it, spilling me into the darkness beyond realities and extinguishing my memories.<br />
<br />
I'm all for it! ''Crescat scientia''.</div>Expositor Albrecht "Joey" Loophaus, FEShttps://lex.malcolmgin.com/index.php?title=One:Main_Page&diff=2939One:Main Page2012-12-04T01:17:50Z<p>Expositor Albrecht "Joey" Loophaus, FES: </p>
<hr />
<div>Welcome to the start page of the "What came after" Lexicon game!<br />
<br />
The [[Lex:Game Prefix|Game Prefix]] is "One".<br />
<br />
GM is Malcolm Gin. You may reach Malcolm at [mailto:malcolm.gin@gmail.com malcolm.gin@gmail.com]. His character is [[User:Otter Jenkins|Otter Jenkins]]. His Wiki Admin name is [[User:MalAdmin|MalAdmin]]. If you have trouble reaching him, you are either on the wrong frequency or he has literally fallen off the face of the earth.<br />
<br />
== Article Indices ==<br />
* [[One:Article Index|The plain Jane article index]]<br />
* [[:Category:What came after|List of Categories]]<br />
* [[One:Unlinked Phantoms|List of "Unlinked Phantoms"]]<br />
<br />
==In-World Timeline==<br />
* A chronological (for certain values of "chronological") list of what our research has been able to explicate so far is (temporarily?) hosted [https://docs.google.com/spreadsheet/ccc?key=0Ar5UjOlboUMcdDVadXo1T2l6MFZRcnlrQWtjcEgtblE here]<br />
<br />
==Timeline of a Turn==<br />
* The [[One:Turn_Timeline|Turn Timeline]] page details the steps and requirements of each turn of gameplay<br />
<br />
== GM Guides ==<br />
* [[One:Guide to accepting an article|Guide to accepting an article]]<br />
<br />
== Character Directory ==<br />
* [[User:Alt Melis|Alt Melis]]<br />
* [[User:Ash Marshall|Ash Marshall]]<br />
* [[User:Birchwood H. Spooner|Birchwood H. Spooner]]<br />
* [[User:Dr. Meatus (resplendent) DDS|Dr. Meatus (resplendent) DDS]]<br />
* [[User:DWRoelands|DWRoelands]]<br />
* [[User:The_Hon._Ezereen_Trapezius|The Hon. Ezereen Trapezius]]<br />
* [[User:Flamen Volturnalis|Flamen Volturnalis]]<br />
* [[User:John Kinzie|John Kinzie]]<br />
* [[User:Expositor Albrecht "Joey" Loophaus, FES|Expositor Albrecht "Joey" Loophaus, FES]]<br />
* [[User:M-2|'''M-2''']]<br />
* [[User:Marshall Q. "Gary" Baldwin|Marshall Q. "Gary" Baldwin]]<br />
* [[User:Minetta Garage|Minetta Garage]]<br />
* [[User:Morwenna Celeste|Morwenna Celeste]]<br />
* [[User:Otter Jenkins|Otter Jenkins]]<br />
* [[User:Prof. Reinhold Sanger|Prof. Reinhold Sanger]]<br />
* [[User:Rev. Dr. Samuel Newton Farrington|Rev. Dr. Samuel Newton Farrington]]<br />
* [[User:Somer Buchanan|Somer Buchanan]]<br />
* [[User:St. John Battersea|St. John Battersea]]<br />
* [[User:Temperance Lamprey-Pond|Temperance Lamprey-Pond]]<br />
* [[User:The Left Honorable Earl of Innsmouth|The Left Honorable Earl of Innsmouth]]<br />
<br />
=== Withdrawn ===<br />
* [[User:Alaric Grey|Alaric Grey]]<br />
* [[User:Brother_Carnelius_Stoat|Brother Carnelius Stoat]]<br />
* [[User:Lemon Ranganathan|Lemon Ranganathan]]<br />
* [[User:Percy Potts|Percy Potts]]<br />
* [[User:Phineas Cornelius of Vienna|Phineas Cornelius of Vienna]]<br />
* [[User:Zohar Klee|Zohar Klee]]<br />
<br />
=== On Hiatus ===<br />
* [[User:Carlyle de Groot|Carlyle de Groot]]<br />
* [[User:Comrade_professor_Theodor_Nette|Comrade Professor Theodor Nette]]<br />
* [[User:Erik-Eric Charterly|Erik-Eric Charterly]]<br />
* [[User:The Oculus|The Oculus]]<br />
* [[User:Patricia Palfrey|Patricia Palfrey]]<br />
* [[User:Percival Sextus Helle-Hollbach Rien III|Percival Sextus Helle-Hollbach Rien III]]<br />
* [[User:Porch|Porch]]<br />
* [[User:Sandis Dzerve|Prof. Dzerve]]<br />
* [[User:Scooter von Capybara|Scooter von Capybara]]<br />
* [[User:Terry the Splendour|Terry the Splendour]]<br />
* [[User:Will.i.am Rammstein Durst|Will.i.am Rammstein Durst]]<br />
<br />
<br />
[[Category:What came after]]<br />
[[Category:What came after/Characters]]<br />
[[Category:Lexicon games]]</div>Expositor Albrecht "Joey" Loophaus, FES